ELIZKA CHOJNACKA

ABOUT

PAINTING



My bb from the bck
2022, 170 x 180

muslin cotton textile, acrylic spray,
oil pastel, acryl paint

Kitty
2023, 50 x 40 

muslin cotton textile, acrylic spray, 
airbrush ink, oil pastel, acryl paint

Autoportrait
2022, 90 x 90 

muslin cotton textile, acrylic spray,
oil pastel, acryl paint


call-out to all  a$$holes,
taa daam- curtain down

 2024, 200 x 180 

cotton textile, acrylic spray,
airbrush ink, acryl paint






It was sad _ series
2022-ongoing

muslin cotton textile, acrylic spray, oil pastel, acryl paint, dry oil spray

 40 x 40 / 50 x 50

Mazovian

2023, 180 x 150

cotton textile, oil pastel, 
\ acryl paint, airbrush ink

This is my sharpest childhood memory from the suburbs of a small town. The buzzing bulk willows, the cawing of crows, meadows like the fur of a giant cat, and the fox's den from which bursts forth the red light of time travel. Enchanted memories I enter when I long for a home- idealised landscape of Mazovia preserved between ominous logistics halls.
 

Welcome Home

2023, 50 x 40 

cotton textile, airbrush ink,
oil pastel, acryl paint



End Times
2024, 100 x 80 

muslin cotton textile, airbrush ink, acryl paint


Manifestation of a deep-seated fear of the foretold apocalypse. Throughout history, humanity has been captivated by the concept of the end times, anticipating it from the very beginning as our sure destination. 



Bagno
2024, 50 x 40 

cotton textile, oil pastel, acryl paint



R.I.P. Plantationocene

graffiti

>>Solo Show

R.I.P. Plantationocene, greatest tyrant of the Terra.

St. Bananas, ghosts of cursed ruins, compost his sins after healing the guts of those who are exploited by his greediness. Do not let uncompromising fusion power of the Sun punish its surrenders.

Graffiti was made on an abandoned plantation in Los Silos, Tenerife. Tenerife, one of the greenest islands of the Canary Islands, which are the first instance of European settler colonialism in Africa. Tenerife currently is cross-over of provisionary luxury of mass tourism, the rawness of monoculture landscape and lush vegetation.

The artwork pays homage to the fall of the Plantationocene, a term coined by Donna Haraway to describe a proposed geological epoch characterized by the widespread impact of plantation agriculture and its associated social and ecological relations. In this context, it is deconstructed land art on soft walls of reclaimed land.